What, juba uus postitus? Have I gone MAD?

Felt like sheering oma instafeedi teiega ka.. Sorri nende ees, kes mind followivad(@liisaennuste) ja seda vaadates “been there done that” näoga on.
Teile aga mõned laulud.. Ponyarts weekend playlist

Ahjaa, ALSO, te saate mulle veidike abiks olla, kui aega on.. Nimelt mul algas LCF’is teise aasta viimane veerand ning me teeme gruppides innovative webmagazine’i ning minu grupi kontseptsioon on meeste lifestyle/moeajakiri, mis on annual fee’ga ja ainult memberite’le ning suunatud veidi nooremale rikkale generatsioonile nagu startuppide miljonärid/creative field successful youngsterid jne.

Kuna ma meestemoega pole väga sinapeal olnud, on see minu jaoks rohkem challenging kui kõik eelmised projektid kokku. Ja siit tulebki appihüüe: palun soovitage häid meestemoe blogisid/web mag’e/netipoode.. Also ka kujunduslikust vaatenurgast, sest minu peale jääb kogu saidi visuaalne pool. ENOURMOUS THANKS neile, kes viitsivad aidata!

Ponyarts weekend playlist:
Urban Cone – We Should Go To France

Adele vs. Daft Punk – Something About The Fire (Carlos Serrano Mix)

Starfucker – Girls just want to have fun

Py – Lungs (Produced by George FitzGerald)

Electric Guest – Awake

Niki & The Dove – The Fox

Photo-time nao!

Aages ago kui ma veel Kurt Geigeris töötasin

Will miss Matthew Williamson. Last day.

OH MY GOD. Mis sorti needus see on, et ma leian üle kahe kuu aega, et suht PIKK blogipostitus kirjutada ja siis vajutan publish ja ALL LOST, VANISHED FROM THE EARTH, NEVER TO BE FOUND, NO NOTHING, EMPTYHANDED, HEARTBROKEN. Lihtsalt KADUNUD. Da hell?

Okei, kuna ma pean nüüd tõepoolest hakkama kirjutama oma 1500sõnalist kokkuvõtet Matthew Williamsoni praktikast, siis can’t pencil in writing the same blog post twice.

Väga lühidalt vastus neile, kes Roberta formspringis küsinud on, et miks ma ei ole bloginud kahe kuu jooksul:
*sest nagu ma ka siin mainisin, ma olen olnud fulltime Matthew Williamsonis ning ööd ja nädalavahetused päristööd teinud Dean Street Townhouses.

*sest ma olen arvutit lahti jõudnud teha (nagu traditsioonina) pühapäeviti ning kasutanud seda uue muusika kuulamiseks

*sest mul ei ole eriti millestki muust kirjutada kui sellest, kui väsinud ma olen olnud.. ja väsinud jutt on igav jutt : )

Aga tore uudis on see, et nüüd algas kool uuesti ja kuigi mul polnud praktiliselt ühtegi vaba päeva terve vaheaja jooksul, on see nüüd pingelangus. Kahju on lahkuda Matthewst, aga tore on omada natuke rohkem elu/energiat kui varem

Siin mõned kosutavad lood teile..

1. Niisiis, üks suht uus Jai Paul track. chillout muss.

2. Vana hea Yeah Yeahs

3. Ja superhea ja suht uus The Temper Trap

See ya never wanna be ya,

See ya later, alligator

see ya in da wild, crocodile

… rohkem ei meenu? kas neid on rohkem? love the lame-ness of it.

Liisa X

Find more at http://www.matthewwilliamson.com/

I decided to begin from the beginning (*witty witty laugh*)
So, as I mentioned earlier, I work at a new place now. But that’s old news.. because I have a NEW job at the new place now.

Anyway, I work at Dean Street Townhouse, which is part of the wellknown Soho Group that owns several members clubs/restaurants in London (as well as New York, Miami etc). The first two days I did waitressing, but then I was offered a trial at the reception(which is like two steps up, yay!) I gave it a shot and they offered me the placement. DST is right in the heart of Soho and I’m loving the place, my managers and the customers. (Haha, also, I do not have a uniform anymore, so I can just dig out all my nice racks!)

Second of all, I GOT AN INTERNSHIP AT MATTHEW WILLIAMSON, woohoo!
I had an interview on Monday – their head offices are in a really classy house near Green Park and it looks like someones cozy home. There are carpetfloors, edgy furniture and Matthew is closely involved with all the departments on the four floors.

I am going to assist the woman I happened to meet while I was working in Kurt Geiger and who is managing all the events(from London Fashion Week shows to photoshoots). Also, I’ll be working with Matthew’s PA, who is such a lovely girl from New York. My duties will vary from creating moodboards to grabbing lunch or being involved in design department. The internship is for 2 months and full-time, so obviously it’s going to be tough working all weekends and some nights in the week, whilst interning 5 days, but it’s all going to be worth it! Plus I’m quite used to working/studying 7 fulldays a week anyway.

The only sad news is that I am not sure when I next see my dear family, as I will have no time to fly back home till the end of May/June? [Also, the last day I had off was in the beginning of January and the next one will be in the beginning of summer perhaps?:D] But oh well, I’m sure there will be times when I can fly wherever I want whenever I want. But as you know, before you can play hard, you gotta work hard!

That song describes my mood the best at the moment, haha..

All photos taken with my iPhone. My instagram account – @ponyarts

So, there’s a LOT going on at the moment. I’ve learned to survive on 5-6 hour sleep (used to sleep 8-9 hours every night last year).

ALL photos taken by me with my iPhone X
I’ve got more on my Instagram – @Ponyarts

Listen to that beautiful session.. All the songs are beyond beautiful.

by Liisa Ennuste, Fashion Journalism [Print; Broadcast] Year 2, Term 1

Just a few decades ago, a fashion designer had to create two seasonal collections a year. Today’s frenetic fashion cycle is crammed with cruise and pre-collections, diffusion lines, design collaborations, couture, menswear, shoes and accessories. With John Galliano and Christophe Decarnin seeking help from mental institutions, and Lee McQueen committing suicide, It is becoming a generally accepted fact that the relentless pace of fashion is contributing to the downfall of its greatest talents. One cannot help but wonder, however, if blaming the industry is all there is to it, or are we missing something in the discussion?

***
“I don’t understand this marathon of fashion,” says Alber Elbaz, the head designer of Lanvin, to New York Magazine. “Today, designers are expected to produce work that is bigger, better, faster and — these days — cheaper. A singer can quit once he or she has made ten great songs, a director can finish once he or she has made five amazing films, a writer just needs to write three great books. Now let’s look at designers — they produce six to eight shows a year, most designers have a 20-year-long career, so I need to create about 250 collections in that time. Not even Danielle Steel could write 250 books,“ he claims. And Alber makes a valid point. A designer’s profession is remorseless – you are expected to develop new ideas season after season. Working for big corporations such as luxury giant LVMH means naturally that excellent results are expected. There are no second acts in the world of fashion and one wrong move could cause the company’s sales to drop significantly, affecting the livelihoods of thousands of empoyees. Designers should be about envisioning a fairy tale beyond the dull commercial side of the business, but in reality they still carry the weight of millions of pounds of sales on their shoulders. Undeniably all this pressure can overwhelm even the most creative of designers.

***
At the end of Balmain’s fall 2011 fashion show during the Paris Fashion Week, no designer was present to take a bow. The French fashion house’s creative director Christophe Decarnin could not attend his own show. This cranked up the rumour mills, saying that the designer had been hospitalized and was being treated for depression. Balmain’s spokesperson denied Decarnin’s mental breakdown and drug-use, but still admitted that Decranin was feeling unwell, because the last season had been „particularly demanding and complicated“. Christophe Decarnin’s breakdown follows hot on the heels of Galliano’s drunk anti-Semitic rantings and Lee Alexander McQueen’s suicide, where a cocktail of drugs and other substances were found in his blood. All these incidents share a common deminator and help reveal the dark underbelly of the fashion world. Fashion can be creative, mischievous and theatrical, but ultimately, it’s still business, where products have to be sold and shareholders want to see profits.

***
Analysing Decarnin’s incident, many tend to suspect that the pressure was on the designer to consistently recreate some of Balmain’s blockbuster collections. „The pressures of designing at this level are too much for most people to endure; they continually and relentlessly offer up something deep from within themselves, while their public achievements and failures are ultimately judged by the bottom line,“ comments journalist Libby Banks on the downfall of Balmain’s head designer. Same reasons can be related to Galliano’s comedown. Vanessa Denza, the founder of a recruitment consultancy for the fashion industry, agrees that Galliano’s workload was inhuman. He had been given too much to do and being at the helm of Dior and his namesake label placed a huge amount of psychological pressure. „You cannot expect one person to do everything. There are five people in the Dior design team, I know them all and they are very strong in creating commericial designs, but Galliano gave that little extra to all of it,“ she tells me during an interview in her central London office.

***
But is the ever-evolving face of fashion the real reason behind the designers falling into depression? The fashion houses of today are not the tiny ateliers they grew out of, , where isolated designers let their creative juices flow. Fashion has been institutionalized and as a result large design teams collaborate to produce the styles we see on the runways or in the stores. This means we can never be sure, how big the artistic director’s contribution to the inter-season collections was. Vanessa [Denza] believes that the additional collections have nothing to do with the increase of pressure on head designers. Resort collections, originally created for wealthy customers and jet-setters, are meant to be more accessible and easy to wear for travel, parties and holidays. „Seasonal collections and mid-season collections are two completely different businesses. The first one is to advertise and the second one to attract people to shops all the time and to make money.“

***
On the other hand, is it possible that the real problem isn’t the huge workload on the shoulders of the head designers but their poor time management? „Designers have an obsession and they should be more disciplined. I know a famous designer, who goes out in the middle of the day and comes back 11 in the evening to start working then. They create stress by wasting time on unimportant things. On the whole women are better at being diciplined, but many of the top designers are men, as women have to dedicate their time to families.“ Another underlying problem is the widespread idea in the fashion business that one person is should oversee everything. This is an issue, where human resources personnel is to blame as well. „They often start interfering and pushing their ideas, which on the whole are completely unworkable,“ Denza claims.

***
As fashion is an industry based on the pursuit of fresh ideas, there is constant focus on the young talent. So, is the pressure on the up-and-coming designers as demanding? I met up for an interview with lingerie designer Kriss Soonik, who started her career in Agent Provocateur as a retail marketing assistant, which led her to starting her own label Kriss Soonik Loungerie. She finds that designers for smaller brands, like herself, should contradict the fast paced bustle of fashion. „I deliberately don’t change my styles often and promote classical style lines instead, so that people could get used to it and learn to love it,“ she introduces her designing philosophy. „Sometimes I do new campaigns to grab the attention of customers, but I cannot create mystical fashion all the time. I’d just be worn to shreads,“ Kriss adds. Although younger designers can stick to their signature style and don’t need to pull new designs out of their sleeve for each and every collection, they are faced with tackling other kinds of problems. Getting your name and clothes featured in publications, for example. „It’s great that my designs landed on the pages of Elle, but you’re there once and that’s it. To really sell things you have to be there every month until people start noticing you. Consistency is very important,“ she says. Another pressure point is that as you’re small, people tend to impose their will on you and try to sculpt your brand. „Customers often come to me with all sorts of colour and fabric suggestions, but I cannot always listen to them. My job is to sell my designs and if I dont believe in them, I cannot sell them,“ states Kriss.

***
According to a survey among BA design students from Westminster University and Central Saint Martins, seven out of ten admit that the pressure is harsh and the statement „ but that’s fashion for you“ comes across over and over again. A first year womenswear design student Roberta claims that she works better under pressure, making a somewhat fitting comparison that „The fashion industry is for women what the banking industry is for men: dreadful competition and 24-hour working days.“
But not all the top designers feel like squeezed out lemons. Karl Lagerfeld, the creative director of Chanel, Fendi and his namesake label, tells The Independent “Please don’t say I work hard. Nobody is forced to do this job and if they don’t like it, they should do another one. If it’s too much, do something else. But don’t start doing it and then say, ‘Aaaah, it’s too much’ /—/ We have to be tough. We cannot talk about our suffering. People buy dresses to be happy, not to hear about somebody who suffered over a piece of taffeta.”

***
As always, it seems that the Father of Fashion is right. It is a fact that the fashion cycle has geared up, but the real problems lie beneath the surface. It could be that the division of labor and responsibilities in the big fashion houses should be more organised. Or perhaps, it is the designers themselves, who should re-examine the way they plan their days and practice stricter self-discipline. Because after all said and done, fashion is an industry that has constant change coded in its DNA; the everlasting search for the new, the It, is as much of an integral part of fashion as runway shows and models. Sure it’s not for everyone, but it doesn’t have to be. In a field where ambition is a key driver, passion self-evident and vision for what could be a pre-requisite, one has to understand that being at the top requires a little more than your average day job.